#and then I was like 'oh no this is spoilers I can never post this' and then put it on my instagram without hesitation

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[beerok23]

MACBETH AT HAROLD PINTHER (November 9th, 2024) - A REVIEW WITH SPOILERS

Now that I’m back home, I can write a considerate and not at all crazy and nostalgic post about Macbeth.

Be careful, if you haven’t seen it yet and you’re supposed to see it soon: this review has spoilers.

Please, forgive me if it has typos and if I repeat myself and if this post is so unhinged. I can’t help it, I need to vent my thoughts and feelings.

Watching Macbeth was an otherworldly experience. Something you can only dream of and when it happens it changes all your brain cells.

When David first appeared on scene, from the darkness of the first lines pronounced by the witches…well, I wasn’t expecting him. I kind of distinguished his silhouette in the shadow, and I wasn’t sure that it was him. But it was. And when the lights turned on and he appeared on the scene full of blood and gasping…well I think my world shattered. It’s hard to explain what happens when you finally have the chance to see someone you admire so much only from afar, an actor you’re so accustomed to watch anywhere everyday…and then he finally appears in front of you and he’s like materialising and it’s like magic.

I mean, he was there, with the bowl at the centre of the stage, and the blood stains and he was SO TALL and SO David and SO everything all at once.

I spent the entire 2 hours watching him from my STALL B7 seat, a PERFECT seat —because he occupies the scene at the right of the stage SO much… seriously, I was lucky to choose that seat and it was perfect. Of course watching the scene from upper seats would be awesome to better appreciate the mis en scene, but people… the HEARTACHE I got when I realized David and his brown expressive eyes were there, in front of me.

I couldn’t not watch him, the way he possesses the stage, how he moves perfectly, and the lines, and the tone, a mixture of Crowley and Staged 😭😭😭 I mean… there’s one little laugh he made at one moment that really made me think, “Ok, here’s our demon.”

And those few moments of hilarity, when they try to make the audience laugh (which I almost never did, because I was so tense for the dramatic effect of the whole thing), for example when he mimics another character’s tone to mock him. Ok, that was an original Crowley.

And then Macbeth turns into a tyrant, and he is suddenly even more indifferent than Kilgrave when he’s there on the stage, for those two killing scenes that made me shiver and gasp in outrage. Seriously, the gasp I made when I saw him with the kids…

and I trembled all night (also because it’s terribly cold in the theatre 😁).

ABOUT THE SCENES, MY FAVOURITE MOMENTS, THE STAGE AND THE DIRECTION

The scene of the apparitions is awesome. No rising him up, like at Donmar, fine, but still… incredible. With the red lights, and the actors with spasms…And the kid actor (Raffi Phillips during my show) was incredible.

I adored how they performed the Banquo ghost bit. Intelligent, brilliant. And David out of himself was perfection.

The slow motion. It was my fave artistically bit, I think. The first time it happens, you’re so surprised. It’s like watching a movie, only it’s theatre. But when it happens during the dance scene…I felt my heart explode. And the way he interacts with Lady Macbeth, the perfection of the music changing and slowing down…Oh sweet lord.

The glass. Gosh, I wasn’t expecting it. I mean, I knew there were actors around the stage and musicians and singers, but I didn’t know about the glass. And the actors punching the glass to mimic knocks and sounds…Incredible tension and suspence.

And the scene with Lady MacDuff and her son’s death was incredible, INCREDIBLE. Again, MAcbeth being there on stage, as if he was really there (which he is not), holding the kid to soothe him and then…throwing him towards the killer. I felt it in my bones, David THRIVES in those moments of pure evil and you can only loathe Macbeth for being like that. And the same happens at the end, with the killing of the kid during the last fight, and when he breaks his neck…The whole theatre gasped in unison, I swear.

MY GOD HE’S GOOD. He’s so good.

The trees at the end…it was all so perfect and pure and a bliss. I can’t really explain.

ABOUT DAVID’S OUTFIT AND MONOLOGUES

The monologues…how many lines does Macbeth have? He’s almost ever present on scene and he’s so good, perfect.

The “is it a dagger” scene was…🥹 I can’t explain. And whenever he sat at the corner of the stage, being there even if Macbeth is not there. It feels like meta-theatre, as if they are trying to make us feel what he feels, even if you’re not supposed to be by his side.

The way he said “tomorrow, and tomorrow and tomorrow”, with his perfect Scottish accent. It blew my mind. I was out of myself by then.

The kilt… well…the kilt 🖤 I’m not a sucker for David in a kilt. I wasn’t. But I changed my mind. This outfit will hunt my dreams for…a while. Years to come. But even more than the kilt, his legs and socks, and the black jackets on the grey shirt. The jackets are seriously a masterpiece.

Also, David keeping the wedding ring on stage is the sweetest thing btw ❤️

The legendary hair band, which disappears towards the end to leave space to David’s own hands; I kept watching enamoured every time he threw his hand in his hair. I mean, that’s his mannerism, and I was there to see him doing it.

And his hands. Those scenes in which he came forward with his hands moving in the air… incredible. Also, those few times in which his eyes fell to the stalls and sometimes it felt as if he was looking right at you. Amazing 🥹

ABOUT THE CAST

The cast. Brilliant, talented performers, all of them. Again the kid, my gosh how good was he? And Banquo’s understudy (NIALL MACGREGOR) was GLORIOUS and he complemented David so well!!! I have no idea how good the first actor is, but believe me: this Banquo was…a perfect complement to David. Even in his appearance, and I can totally see him playing a fine Macbeth last Tuesday, too.

Cush’s understudy (JASMIN HINDS) was AMAZING. I haven’t seen Cush, obviously, but from the clips I watched online, she gives a different vibe to the couple relationship, and you can tell that David let her manage the intensity of their connection and touches on scenes. It was lovely. She was lovely. I found they had huge chemistry on scene, and they fitted together awesomely.

I think she was insanely good and I managed to tell her after the show, when she came out from stage door. She is a very nice and sweet person, and she also congratulated me for my 10th wedding anniversary when I said to her, silly as I am, that I came with my husband from Italy to watch a married couple dying on stage on the night of our 10th anniversary. She was amused, and she was lovely. I told her that I was glad I got to see HER on scene, and I meant it 💜

The “pause” for comic effect performed by JATINDER SINGH RANDHAWA was insanely funny. All the knock knock jokes, him laughing at the audience and mocking random people, Oasis and Blur references, inside jokes about canceling the shows… He was so funny and he was so good when suddenly everything went back to normal and he became serious again in the span of a second.

How good are all these actors!

And Macduff, played by NOOF OUSELLAM. You know what? He’s the one who made me cry. When he’s told about his family’s death…he was so insanely good and realistic in his reaction, and the tension and drama on scene was so palpable and I cried with him. He was incredible.

As much as MOYO AKANDE, who was probably my favourite surprise of the night. I love her, she’s insanely good. As much as everyone else.

In the end, I’m so lucky that I got to see David performing, because if I had booked last Saturday, I would have missed the show and I would have been incredibly sad and disappointed (probably for the rest of my life). And David wasn’t still in tip-top condition, because after the last fight scene (which is a very well choreographed fight with swords), when he kneeled, he coughed (and I’ve been told that was not in character) — and it was the only little thing that made you understand that he was sick the prior week. My god, he’s such a professional, getting back as soon as he could. He was perfect and this whole production was a rollercoaster of emotions and feelings and surprises and suspence. It really deserves the world and accolades.

And I know I did not get a chance to see David at Stage Door, but you know what? I don’t care. Because this was a weekend that I totally dedicate to Good Omens in general (we went to St. James’s, and Tavistock Square, and to the bandstand in Battersea Park, which is probably my new place of the heart (broken or not, one of my favourite places in the whole world, now). And watching David on stage after a year of obsessing over the show and him and Michael felt like a cathartic moment. Ok, it’s not like meeting him and talking to him, maybe. But it’s better: it’s watching him in his raw version, in his element. The theatre has this kind of magic that television can’t provide. And I’m insanely happy to have gotten the chance to attend to one of these incredible shows.

Now I know.

09/11/2024

[psychic-refugee]

I loved MOA, I’ve watched it twice and it’s definitely a great rewatch. Probably going into my list of comfort films to watch again and again.

It definitely deserves its #1 Spot on Amazon Video.

I’m going to wait to give a full on review so people have more time to watch it and it’s less spoilery.  

I do want to address one thing that I don’t think is a fair criticism, at all.

I’ve seen several posts where they’re unhappy that the main character isn’t a lesbian. Someone even went as far to call it “lesbian erasure” and others are calling Megan Park/the movie lesphobic.

On one hand, I understand that there aren’t enough good representation movies for lesbians or the LGBTQ+ community, and it can be frustrating when something looks promising or if you had certain hopes, but it turns out a different way.

On the other hand, come on, BFFR and fuck off.

No one ever said it was a lesbian rom com. It’s a rom com with a character who is very young and in her limited experience had thought she was a lesbian, and then finds someone who makes her question that specific title.

Chad has ALWAYS been part of the synopsis and cast list. He was always framed as the romantic interest.

Other people's sexuality is not dependent upon your hopes and wishes, both real and fictional.

I think people are so chronically online and obsessed with labels that they forget that no one has met everyone they’re ever going to meet, ESPECIALLY NOT AT 18. Elliott had only ever been attracted to women up until she meets Chad. She’s also from a very small town, is itching to live in the big city of Toronto, and is about to attend the University of Toronto.

There is a chance she still would have figured out she was also attracted to men when the dating pool got much larger for her.

Is it “heterosexual erasure” if the opposite happens and someone goes off to Uni to discover they are attracted to the same sex? Or is it just part of some people’s journey?

I, personally, think it’s a great message that you’re a) not stuck with a title or specific sexuality and b) it doesn’t have to be this traumatic, existential crisis. I loved how she talked it out with her friend, Ro, and it was like, “oh shit (surprised)…tell me more (intrigued and supportive).”

Please notice how Ro and Ruthie (Maddie Zeigler) don’t question Elliott’s sexuality or try to make her feel bad about it, they just accept her as friends should.

Again, personally, I’m glad to see a queer story that doesn’t have queer trauma.

I hope everyone’s sexual, or lack thereof, journey is as easy going.

I also feel like the people who are mad that she fell in love with a man when “the right one came along,” and are calling it lesbian erasure, completely stopped paying any real attention to the movie.

Elliott NEVER calls herself straight. She NEVER indicates she no longer is attracted to women because she found Chad.

Her attraction to Chad is in addition to her general attraction to women. It’s very clear through the dialogue that she is very much into women, and that never stops.

Spoiler but not relevant to furthering the plot and it’s towards the end of the movie:

…

Older Elliott references having a current girlfriend in the future. Timestamp: 1:13:30

She doesn’t mention any other male significant other.

It could very well be that Chad is a one off, but still very important, valid, and REAL love in Elliott's life.

At no point does Elliott’s attraction to Chad diminish her attraction to women.

Fine, be frustrated in the general lack of lesbian specific movies.

But don’t call Megan Park lesphobic for not making a character SHE CREATED lesbian when Elliott was never meant to be lesbian to begin with.

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[m0e-ru]

say cheese !

[littencloud9]

bsd fandom has always mischaracterised kunikida to hell and back but the fact that i am seeing SO MUCH hate for his character right after his 'death' is insane

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[accursedvoid]

[lunarharp]

into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.

the sweet oblivion of the victim, the poisoned freedom of the other.

for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.

the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.

but they were never whole to begin with, were they?

qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.

olly says nothing.

[aether-weather]

I REALLY LIKE METAL'S NEW DESIGN :D

(wip)

[lakesbian]

imnot reformatting this into a coherent post but do you hear me. is this thing fucking on. is this any thign.

[acourtofquestions]

“He'd deceived her, had lied to her. This man who she'd believed held no secrets between them. She didn't know why it made her want to shred everything within sight.”

— cause um… as you just said Miss Manon YOU CARE (& it’s even giving Chaolaena vibes in the I CARE way)… so like all I’m saying is you love him duh?

[sainz100]

upcoming Carlos x chess content soon ❤️♟️✨

[pens-and-paperbacks]

Endeavor is almost a perfect allegory for what the society in the mha universe does to people who can't be heroes or use their quirks in a way to benefit society, which is cast them aside or pass them over without over giving them a second glance until uh-oh! Suddenly they're worth being noticed because they're a threat.

He apologizes to his family, which is good! If you're a bad person and did terrible things, the first step in your own transformation and atonement should be to acknowledge what you've done and to apologize to those you've wronged. Great!

Thing is, Endeavor set off a chain reaction with his abusive, neglectful and downright irresponsible choices that it damaged everyone in his family for life.

I don't think someone who causes one of their own children to literally go up in flames, crying because they're finally getting attention from their father and family in the very end, ever deserves to be forgiven.

[fudge24-7]

Ok while I do agree what caine did is messed up, I don't see anyone coming to his defense with this point, and I feel like it should be considered more

Tadc spoilers ahead for episode 2 if you don't have the tags filtered:

Caine didn't have any way to know gumigoo was centient, I know it was easy to forget that when we as the audience could clearly see it, I did too for a moment but, when you think about it, he didn't see gumigoo become self aware like we did. Like he's said he only has eyes on the circus, and while I don't 100% trust every word he says, the fact he didn't just close the portal the moment gumigoo approached, or hell intervene the moment pomni mentioned bringing him back, Instead just seeming surprised when he noticed gumigoo there, it shows to me that he really doesn't see what happens there, so he most likely didn't know. from his perspective pomni just got way too attached to a character he created, he had no way to know why she did or that he was more then what he made him now

[blueteller]

Me, reading the summary for TCF Part 2 Chapter 150 be like: